Celebrating Christmas in mindful simplicity this year. Handmade cards, dried herbs and teas from the garden packaged in old mustard and jam jars, an altar of favorite ornaments and foraged greens in lieu of a tree, and one pine garland from Sweet Berry Farm to climb the stairs. Wishing you all peace and a very Merry Christmas eve.
2016 has been a year of many exciting projects and collaborations, most of which I am very behind in sharing, but among my favorite images are the ones I was able to take for the Newport Restoration Foundation this Christmas. Rough Point, the seaside estate of tobacco heiress Doris Duke, has been curated for the holidays the way it would have actually looked during Ms. Duke’s lifetime: shuttered for the winter, as Doris spent Christmas at Shangri La, her house in Hawaii. Rough Point’s sole occupants would have been her staff, thus the staff wing has been decorated to reflect their own holiday celebration. I found the interior spaces, draped with white sheets, rather eerily inspiring, and thought I’d share.
There’s still time to check out this exhibit, entitled “Undecked Halls,” which will be open for the last viewing on December 27th, 2016.
Photos from a sail on Narragansett Bay aboard the classic Alden yawl “Hope San” for my dad’s birthday. It may have taken us several decades, but we finally figured out what to give him each year. Hope San was actually once my grandparents’ boat (one of the two Hopes that inspired this blog title, the other being my maternal grandmother), and has since been lovingly restored by IYRS grad Patrick Abrecht and his wife Monika. It made me smile to see my dad reconnecting with a boat on which he spent so much time with his parents (see cutely boyish pensive shots on the bow). Hope San can now be chartered in and around Newport RI for up to six guests. You can find out more at sailonhopesan.com.
All images were shot with Portra 160 35mm film on a Pentax K-1000. Thank you to my family for being my models and guinea pigs, I wasn’t sure how I would like Portra in intense sunlight, but it turns out the blue-green tones suited my needs in this aqueous environ just fine. And thanks mom for the shot of me, it’s nice to have my presence in situations confirmed every now and again. (that’s me decked in a double denim jorts + chambray top combo. My earrings are from my new jewelry obsession, Rackk + Ruin in Burlington, VT.)
I’m excited to share that my apartment is soon to be featured on Puddingstone Post! Finally, someone else wanted to geek out with me about design and this dwelling that I have put so much love and energy into over the last 5 years!
Photographing my own space on assignment required a healthy dose of objectivity and reflection, no nit-picking allowed. I mean, the day I’m done fiddling with my house is the day I die, but it was nice to just stop for once and drink in my eternal work in progress. Yep, it definitely feels good to be home (especially now that I’ve gotten my sock drawer in order).
Above: The Noguchi-esque paper lantern in my bedroom cost 15 dollars but feels like a million bucks, and a seascape over my bed, which was painted by my great grandfather, reminds me to appreciate living by the ocean (I forget sometimes). I bought the cloth on top of my dresser in a village at the tip-top of a Cycladic Island, where I encountered this amazing woman. I found the vintage wire egg basket in my neighbor’s trash last Easter Sunday (I was still dressed for church when I grabbed it). The trio of images on the wall are: a drawing I did in college; a random antique portrait that, for me, is so ugly it turns the corner (I think the framing store actually tried to dissuade me from the blush pink metal frame I wanted by “accidentally” putting it in a plain black one); and a Chyrum Lambert study, a present from friends who sublet my apartment last fall and had the artist to stay.
Had a blast photographing the spring/summer ’16 lookbook for Tracy Jonsson Design with this troupe of inspiring women. You can read more about the designer and the collection on Puddingstone Post, where my interview with her was published this week.
Looking forward to the next installment of the Backyard Summer Art Series, which is brought to this little one boat town by A Common Practice and highlights the work of Newport’s growing artist community. July’s event was full of goodly things made by goodly folk, but I was too distracted by the crowd and my camera to buy anything.
Work featured here includes:
Ellen Hyde, Tracy Jonsson, John Baldaia, Able Thought, SALT: Writers Collective, Brittany Mathis, Dara Gardner, Nick Aprea, Ape & Bird, Joseph Marshall.